Po is showing us his life’s work, and it’s impressive. It doesn’t take more than a second for the excitement of what’s happening to kick in.įirst, Po retrieves the artwork for Peter Gabriel’s debut album, followed by the covers for 10cc’s Deceptive Bends, Pink Floyd’s Atom Heart Mother and Wish You Were Here – and so on. They are showcased in vibrant color, a striking juxtaposition against the monochromatic surroundings. One by one, he takes out a series of photographs, giving each a glance before letting them fall to the floor. He sits down at the end of a long hallway and opens the case. Po walks through a crumbling, countryside cemetery, carrying an oversized folder on his back. People respond to faces.To open the film, Corbijn introduces us to Aubrey “Po” Powell in stunning black-and-white cinematography. The Last of Us Part 2's box art is just Ellie's pained, angry face. Death Stranding's art is Norman Reedus in a rain jacket, with a mechanical grabber thing in the foreground. God of War Ragnarok's art shows Kratos and Atreus, ready for action. It's somewhat understandable, because characters are often what sell players on a game. And, yet, they went with a White guy holding a gun on the cover. It's a short trailer, but it's filled with arresting imagery. There's a shot of the character shooting at a tentacled robot with a dead whale beached behind it. Then it jumps forward to the action, as the player uses unique-looking weapons to defeat enemies in a sleek, brutalist environment. Then, it cuts to a different skeleton spinning around on a merry-go-round, with a big red toadstool and cabbage behind them. The trailer, for comparison, opens with an image of a mustachioed skeleton, rock atop its head pointing out of frame, with other skeletons frozen in place in the background.

Atomic heart mother cover